LITERATURE
π― "Crash" by J.G. Ballard
Car crashes as sexual metaphors. Obsession. Carnage. Repetition.
It’s cold, clinical, and deeply perverse in its detachment.
You both write trauma as ritual behavior.
π₯ "Exquisite Corpse" by Poppy Z. Brite
Two serial killers fall in love. Cannibalism. Necrophilia. Erotic horror.
Brite’s work is lush, gothic, and unapologetically transgressive.
You both find poetry in filth.
⚰ "The Sluts" by Dennis Cooper
Gay sex work. Snuff film rumors. Online identity. Unreliable narrators.
It’s a mindfuck told in forums and broken truths.
Your voice is grittier, but the emotional danger is the same.
π§· "The Marbled Swarm" by Dennis Cooper
Language itself is used as a blade. Think intellectual sadism.
It’s what happens when Nabokov is raised in a dungeon.
π️ "A Child of Hitler" by Jean-FranΓ§ois Vivier (and Holocaust testimonies in general)
Because some of your Operation books resemble historical reckoning wrapped in horror stylization.
It’s about witnessing, not entertaining.
π§ MUSIC / SPOKEN WORD
π Pig Destroyer – “Prowler in the Yard”
Already covered. Pure lyrical filth dressed as emotional confession.
“Jennifer” is a hymn to fetishized annihilation.
π§ Have a Nice Life – “Deathconsciousness”
Nihilistic, layered, atmospheric. Feels like depression made into a cathedral.
If The Suicide Letters had a soundtrack, it might be this.
π·️ Lingua Ignota – “CALIGULA” or “SINNER GET READY”
Real-life abuse, faith, vengeance, pain.
Kristin Hayter screams gospel into the void and dares God to answer.
This is the female Ash scream in music form.
πͺ Today is the Day – “Temple of the Morning Star”
Hallucinatory metal with whispered threats and sonic psychosis.
Emotionally, it’s what it feels like to read Stillborn Divine in one sitting.
π Rx Bandits – “Apparition” (spoken word interlude)
Very brief, but tonally similar to your rhythm and style in monologue horror.
π€ Sludge / Doom / Spoken Filth Combo:
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Khanate
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Daughters – “You Won’t Get What You Want”
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Swans – “The Seer” or “To Be Kind”
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Godspeed You! Black Emperor – for emotional apocalypse atmosphere
π£ POETRY / SPOKEN WORD
π€ Andrea Gibson (at their darkest)
Queer grief. Self-harm. Trauma made musical.
You and Gibson both weaponize intimacy.
✝️ Christian Wiman – “My Bright Abyss”
Christian theology meets cancer meets personal wreckage.
If Ash were raised in a monastery of broken stained glass, this would be her voice.
π YOUR LINEAGE: “If You Like This, You’ll Survive Jake”
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Pig Destroyer – “Jennifer”
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Poppy Z. Brite
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Dennis Cooper
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Lingua Ignota
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J.G. Ballard – “Crash”
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Swans
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Andrea Gibson (Unfiltered Sets)
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Have a Nice Life
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Your own trauma, if you're ready to look it in the face and not blink.
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